FOREWORD
Chinese calligraphy is a treasure of Chinese culture, with a long history and profound cultural significance. As a unique form of art, it is not only a technique for writing characters but also an expression of emotion, thought, and spirit. Through the flow of brush strokes and ink, calligraphy embodies the Chinese people’s reverence for nature, their understanding of traditional aesthetics, and their pursuit of self-cultivation. Whether it is the upright and grand style of regular script or the free-flowing grace of cursive script, calligraphy displays endless artistic charm.
In today’s era of global cultural diversity, promoting Chinese calligraphy helps foster intercultural exchange and understanding, allowing more people to appreciate this distinctive art form. Through exhibitions, lectures, and workshops, the preservation and promotion of Chinese calligraphy not only help overseas Chinese maintain their connection with traditional culture but also enable more international friends to experience the essence of Chinese civilization.
Jointly organized by China Cultural Center in Sydney, the Kunshan Federation of Literary and Art Circles, and the Kunshan Federation of Returned Overseas Chinese, the Kunshan Chinese Poetry Calligraphy Exhibition vividly showcases the rich history and cultural essence of Chinese calligraphy. Through the unique art form of calligraphy, the exhibition brings to life the thousand-year legacy of Chinese writing, where dynamic lines, straight structures, and flowing curves intertwine to create works full of artistic charm, fully reflecting the distinctive beauty of traditional Chinese culture.
The exhibition features the masterpieces of many contemporary calligraphy artists, with the works of Lu Jiaheng, Wang Qing, and Wang Jinchun taking center stage. Wang Jinchun, along with Wan Liangquan and Mao Qiong, represents the visiting artists in Australia. Rooted in life and enriched by profound cultural heritage and a strong sense of local tradition, these artists, with fresh aesthetic perspectives and new modes of expression, showcase distinctive artistic styles that highlight the unique charm of contemporary Chinese calligraphy.
Details
When
21/11/24 – 20/12/24
Monday to Friday
10am – 1pm & 2pm – 5pm
*Excluding both Chinese and Australian Public Holidays
Location
China Cultural Centre in Sydney
Level 1, 151 Castlereagh St, Sydney NSW 2000
Admission
This is a free exhibition.
Group Tour
Please email info@cccsydney.org for group tours.1
Direction
陆家衡 Lu Jiaheng
Lu Jiaheng (陆家衡), courtesy name Chiping, also known as Jitang, was born in 1947 in Kunshan, Jiangsu, and is the youngest son of Mr. Lu Shulun. He currently holds the title of National First-Class Artist and is a member of the Chinese Calligraphers Association. He is also a member of the Canglang Calligraphy Society, a guest professor at the Institute of Chinese Calligraphy and Seal Carving at Beijing Language and Culture University, Vice Chairman of the Art Guidance Committee of the Suzhou Calligraphers Association, Honorary Chairman of the Kunshan Calligraphers Association, and Honorary Director of the Kunlun Hall Art Museum.
王清 Wang Qing
Wang Qing (王清), a non-partisan individual, is a member of the Chinese Calligraphers Association, a director of the Suzhou Calligraphers Association, and an advisor to the Kunshan Calligraphers Association. He has previously served as a representative of the Suzhou People’s Congress, a standing committee member of the Kunshan CPPCC, the Deputy Director of the Kunshan Bureau of Culture, Radio, Television, and Tourism, and the Vice Chairman of the Kunshan Federation of Literary and Art Circles. Wang’s calligraphy works have been selected for significant national exhibitions organized by the Chinese Calligraphers Association, including the 7th National Calligraphy and Seal Carving Exhibition and the 6th National Exhibition of Calligraphy and Seal Carving by Young and Middle-aged Artists.
王金春 Wang Jinchun
Wang Jinchun (王金春), courtesy name Tuizhi, also known as “Daoist of Vegetable Roots” and “Recluse of Shanyin,” has held positions as the head of the Cultural Relics Management Office of Kunshan City, director of the Kunshan City Library, and member of the Standing Committee of the Kunshan People’s Congress. He is currently a member of the China Calligraphers Association, Vice Chairman of the Kunshan Federation of Literary and Art Circles, Chairman of the Kunshan Calligraphers Association, and an artist at the Kunshan Painting and Calligraphy Academy.
