My intention is to create imagery where there is no starting or finishing point, capturing a fragment of infinity. In this regard my work has a strong correlation with emergence theory, where complex patterns emerge out of simple interactions.

This systematic and interdisciplinary approach has a strong correlation with music, mathematics and sound physics. The vibration created by the kinetic resonance of the sonic network series occupies a sensory dimension, which exists between sound and vision.

Conceptually, I am not trying to illustrate sound but rather give a visual expression to its physicality. My concern is with the physical reaction the viewer has to my paintings. A perceptual and serialized approach with conceptual and systematic underpinnings.

My art embraces optimism. In a society devoid of optimism dysfunctionality becomes the default setting and aesthetics encoded with optimism embodying social change.

Music and sound theory and sound physics has been a major influence on the logic and rationale which underpins my painting .

I’m also very interested in economics as it correlates with the idea of order and chaos, and how economic systems accommodate randomness and volatility.

Collaboration is also an important part of my art practice. I have collaborated with musicians and sound artists and I am currently working on a project collaborating with an animator.